I definitely enjoyed Ringer, the sequel to Replica by Lauren Oliver. Just like Replica, this is a flipped book. This time, however, the reader starts with Gemma’s story. It’s probably no shock that despite his promises to reform, Gemma’s father is still the treacherous business man who’s willing to do anything to forward his agenda, including selling out Lyra and Caelum. It should also come as no surprise to anyone who read Replica that Gemma and Pete go off to find Lyra and Caelum to warn them about the danger they are in and as is characteristic for them, arrive just a bit too late.
This time around Gemma gets to experience the world of a Replica, the world she was technically born to. Taken out of her ivory tower and forced to live in an abandoned airport with hundreds of other Replicas, far too many of whom share her face, she gets a better understanding of Lyra’s life and what her life should have been. She also gets tangled up with the seemingly innocent Calliope.
On the flip side, Lyra finds herself once more running from the dreaded Suits. She finds what she thinks is a life line with her former doctor, but as is true of most things in this series, nothing is quite what it appears to be. Especially not for a girl who has grown up thinking she is a clone.
Like many books that deal with human cloning, Oliver’s work brings up the ethical questions about how far science should be allowed to go. I particularly liked her portrayal of Doctor O’Donnell, a scientist who clearly believes everything she is doing is for the betterment of society. O’Donnell believes the ends justify the means and that the advance of science is worth the cost of human lives, especially because she is able to detach herself from the real humanity of those lives being taken.
This book also takes an interesting look at a problem I first really examined when I read The Immortal Life of Henrietta Lacks–should scientists be able to use biological components without permission from the people they are taken from, especially if they profit from them. Is it right for pieces of people to be licensed, replicated and sold off?
Personally I find these topics fascinating. And while answering these questions is not the central purpose of the novel, I like the fact that Oliver is introducing these questions to YA readers because the current generation of YA readers will no doubt have to make some of these very hard ethical calls in their lifetime.