With the pile of books I had waiting for me to read, it actually took me quite awhile to get to this book. So long that instead of being the last book I finished in 2017, it was the the first one I finished in 2018. Yes, it meant I fell a little shy of my Pop Sugar goal, but since it wasn’t the only book keeping me from finishing the reading list, I accepted my defeat gracefully.
Although this book is in many ways very different than the Raven series or her Shiver series, it still shares that wonderful sense of magical realism so prominent in all of her books. In fact, I think she may be at her best as far as magical realism goes in this book. Unlike the Shiver series or The Scorpio Races, she’s not depending on already established mythos to center this book around. Also, unlike the Raven series, she manages to keep this book a bit more in the realm of reality, which I think enhances the magical realism in it. This book is the one that reminds me most of Gabriel Garcia Marquez’s work, although it is definitely not quite in that league.
But I don’t mean that as an insult to Stiefvater. Her book isn’t truly comparable to Marquez because she has a very different intended audience and she is very in touch with that audience. She writes for YA readers and those who love YA fiction and she brings magical realism to them in a way that I think is more accessible. And, in a way that I feel might lead them to Marquez.
Her prose in this this book is warm and rich. I love the way she introduces characters by telling the reader one thing they wanted and one thing they feared. For example, on page 4, she introduces Joaquin Soria by saying, “here was a thing Joaquin Soria wanted: to be famous. Here was a thing he feared: dying alone in the parched dust outside Bicho Raro.” She does this again on page 8 as a way to further introduce Beatriz Soria. “Here was a thing Beatriz wanted: to devote time to understanding how a butterfly was similar to a galaxy. Here was a thing she feared: being asked to do anything else.” These small moments of brilliance add great depths to the characters and allow the reader insights into them that they might not otherwise get.
I thoroughly enjoyed the miracles performed in this book. They were, of course, not at all what I thought of as miracles. How anyone could imagine someone who just wants to escape his life of fame and recognition receiving a miracle that turns him into a giant, is beyond me. And yet, it makes perfect sense. Tony’s fame made him a giant in his world and in order to truly find peace and happiness, he had to learn to deal with his problem in full force. The miracles themselves add those moments of magic–twins who want to be separate people but are too afraid to be are twined together by a snake that threatens to devour them if they get too far apart–a woman who cannot find a way to speak for herself who can only echo everyone else’s words–these are the perfect miracles for them because those miracles teach them to finally face their problems and overcome them.
The book has wonderful message that there are no miracles that can just fix lives. Problems need to be worked at and struggled through. And most importantly, they need the help of others. There are problems that we cannot fix on our own. It’s not only ok to ask for help, it is important to. We must reach out and try to solve our problems, but we must ask for and accept help from those who want to help us. Our problems are not insurmountable, but there are no real miraculous cures for them. We have to work through them, with those who love us to find solutions and a sense of peace.